A Presentation by Marc Glöde

A Presentation by Marc Glöde

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‘Presidential Profile’
Sherrie Levine
1978
Medium: Glass slide, slide projector
Dimensions: 144 x 84 in. (365.8 x 213.4 cm)
Credit Line: Collection of the artist; courtesy of Paula Cooper Gallery, New York. Image courtesy of Paula Cooper Gallery

Sun 08 Apr 2018, 3 – 5 pm
Heritage Space

From Heritage Space:

ONCE more – but DIFFERENT
On the development of Found-Footage Films

The artistic tradition of using existing or found material is not a phenomenon of the digital internet environment, but has been a continuous and strong strand in artistic practice since the beginning of the 20th century. It spans from Marcel Duchamp’s legendary appropriation of a urinal in his work Fountain (1917) to the remarkable photo-collage works by John Heartfield, to the works by the so-called ‘picture generation’, to more recent works by Gerhard Richter, Louise Lawler or Sherrie Levine.

The notion of using found objects to create art spreads not only into the fields of photography, sculpture, printing and painting but also into the cinema world. The technique of re-using and appropriating existing film materials came into practice approximately 40 years after the birth of cinema in 1895.

This lecture will take a closer look at the development of films made from found footage from their earliest appearances and a number of examples in recent years. It is part of the event series FilmStoryTeller One Year Anniversary hosted by Heritage Space.

About the speaker:

Marc Glöde is a curator, critic and film scholar. His work is focusing on the relation of images, technology, space, and the body, as well as the dynamics between fields such as art/architecture, art/film, and film/architecture. He received his PhD at the FU Berlin and taught at the Academy of Fine Arts Dresden, the FU Berlin, Academy of Fine Arts Berlin, and at the ETH Zürich. Since 2017 he is an Assistant Professor at NTU/ADM, Singapore and Co-Director of the MA in Museum Studies and Curatorial Practices. His curatorial work started in the mid 1990s and included the Experimenta Festival 2007 in Mumbai/Bangalore or the exhibition “STILL/MOVING/STILL” (Knokke). Other curatorial projects were his work for art berlin contemporary, (Berlin), or the exhibitions “(Re-)locating the Self” (Hamburg), „Tom Marioni – Actions“ (Berlin) and Tadeusz Kantor (Edinburgh/Berlin). From 2008 to 2014 he curated Art Basel’s film program. He was co-editor of Umwidmungen (2005), Synästhesie-Effekte (2011) and author of Farbige Lichträume (2014).

Entrance fee: 30,000VND (for adults) and 20.000VND (for students).

Free for members of Heritage Space Library. (Please bring your student-card or membership-card).

One free drink and popcorn will be served.

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Heritage Space is a combination of an art gallery, a library, a concert hall, co-working office, residency space, artist studios and some open-stages, which has the capacity to host art exhibitions, music events, educational programs, multi-creative forms, artist-in-residency programs and others. Run by a group of curators, artists, researchers, musicians and architects, Heritage Space’s mission is to become a HUB for individuals and groups working on multi-disciplines from both inside and outside of the country to support and develop the creative industries in Vietnam.

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Heritage Space
1st Floor, Dolphin Plaza
6 Nguyen Hoang (for car) | 28 Tran Binh (for bike), My Dinh 2, Hanoi
Tel: 024 6254 3319 – Hotline: 090 282 6769
Email: [email protected]
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