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Cristina Nualart – Art Trends at Hong Kong Art Basel 2013

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Cristina NualartHK Art Basel  Cristina Nualart HG 7

Foreword from Hanoi Grapevine:

“Art Fair”, “Art Basel”, “Art Stage”, “Art Expo”, “Art Show”, etc. Different names but same meaning – a commercial fair for visual arts where artists, critics, gallerists, art dealers, art collectors, art lovers gather to look, to love, to hate, to criticize and to buy art. Imagine a huge exhibition where galleries come together from both inside and outside a country to display the best artworks by their best artists!

Besides world-leading Art Fairs in Europe and the US such as Art Basel in Basel (Switzerland), Art Fair London (UK), Art Basel Miami (US), there are also many stages currently arising in Asia. For example, Art Fair New Delhi (India), Art Dubai (UAE) and the former Hong Kong Art Fair (newly rebranded to Hong Kong Art Basel as of this year). Even in South East Asia, there are also the famous Singapore Art Stage and the Malaysia Art Expo.

This type of art promotion has long been popular worldwide, however, in Vietnam the term is still vaguely understood, simply because there has been nothing as such in the country.

Now, thanks to our artist guest writer Cristina Nualart, who has just returned to HCMC from Art Basel Hong Kong 2013, we can take a look into an internationally-known art playground.

Read her opinion piece and see photos of the artworks displayed below:

Source: Cristina Nualart – Art Trends at Hong Kong Art Basel 2013

After 5 years of rapid growth the Hong Kong Art Fair this year was rebranded Hong Kong Art Basel. The space is the same, but the price of the entrance ticket has gone up – that’s what branding does. The art fair, a commercial initiative that showcases artwork from Western and Eastern galleries in equal measure, has expanded its reach with additional talks and city-wide events.

Intelligence Squared sparked off ideas with a debate on the value of art. Matthew Collings did a great job as a speaker, and the moderator was excellent, but the best contribution came from the man in the audience who told panelist Amy Capellazzo that her arguments for the market being the best judge of art had ruined, for him, the magic of the wonderful art in the fair!

Hong Kong’s art fair is popular in every sense of the word. Weaving one’s way between $20-a-glass champagne stalls and children’s buggies, some themes seemed to resurface intermittently amongst the 2 floors of world galleries. Here is an illustrated overview:

Brains

That thinking machine of ours is probably making a frequent appearance to remind us not to leave all intellectual activity to the automated machines.

HK Art Basel Cristina Nualart HG 1
Show Through I by Tabaimo
Lithography, gampi papers, nylon thread on teak frame, 2009
Gisant (the Silk Spun in the Brain) by Jan Fabre Marble sculpture, 2012
Gisant (the Silk Spun in the Brain) by Jan Fabre
Marble sculpture, 2012
Roman Standard by Tracey Emin Patinated bronze and wood, 2007
Roman Standard by Tracey Emin
Patinated bronze and wood, 2007

Tapestry

In 2008, as all things craft were exploding in popularity, a contemporary tapestry exhibition in England led some of the world’s best known artists back to this technique which had been almost forgotten after the Renaissance. A number of examples of the thread weaving art dotted the Asian art fair.

Detail of a large tapestry by Kiki Smith
Detail of a large tapestry by Kiki Smith
Detail of a tapestry by Kimsooja
Detail of a tapestry by Kimsooja
Self Portrait as a Coffee Pot III by William Kentridge and Marguerite Stephens
Self Portrait as a Coffee Pot III by William Kentridge and Marguerite Stephens
Mohair tapestry, 2012

Glitter, beading, rhinestones and other bling

Was it the rise of new money, the influence of different cultures on the global catwalk or a defiance of austerity? Whatever the reason, bling has been giving a shine to the art market in the last decade.

Detail from The Disambiguation of the Myth of the last Shinobi by Raqib Shaw Oil, acrylic, enamel, glitter and rhinestones on birch wood, 2011-12.
Detail from The Disambiguation of the Myth of the last Shinobi by Raqib Shaw
Oil, acrylic, enamel, glitter and rhinestones on birch wood, 2011-12
Cosmic Dust Gold by Kengo Kito Oil and glitter on canvas, 2013
Cosmic Dust Gold by Kengo Kito
Oil and glitter on canvas, 2013
Bird Girl by Farhad Moshiri Glass bead embroidery on canvas, 2013
Bird Girl by Farhad Moshiri
Glass bead embroidery on canvas, 2013
An Old Breeze 13-3-2 by Whang Inkie Car bonnet with pearly rhinestones
An Old Breeze 13-3-2 by Whang Inkie
Car bonnet with pearly rhinestones

Collage

Along with action painting, collage seems to be one of those inexhaustibly inspiring 20th century inventions.
Pietro Ruffo’s photographic collage of an islamic patterned globe is captivating because of the 3D effect achieved by using pins to hold each shape in place.

Pietro Ruffo’s photographic collage
Maths by Bharti Kher Bindis on panel, 2012
Maths by Bharti Kher
Bindis on panel, 2012
Pictures of Magazine 2: Vase of Flowers after Claude Monet by Vik Muniz C-print, 2013
Pictures of Magazine 2: Vase of Flowers after Claude Monet by Vik Muniz
C-print, 2013

Even some sculptures are a collage, such as the shopping trolley full of scrap metal, Wagon (miles and miles), by Ida Ekblad, or the porcelain pieces by Francesca DiMattio below:

HK Art Basel  Cristina Nualart HG 14 HK Art Basel  Cristina Nualart HG 15

Juicy Abstract paintings

Polyester resin (that glass-like chemical substance that Vietnamese tourist shops pass off as ‘lacquer’) or thickly dripped enamel make for a candy-gloss surface.

I have hated you too much to be grateful of the day(part of a dyptich) by Ivan Lam House paint, resin and model submarine on canvas, 2013
I have hated you too much to be grateful of the day (part of a dyptich) by Ivan Lam
House paint, resin and model submarine on canvas, 2013
Peter Zimmerman pours thick layers of coloured resin over large canvases. Vanilla, Strawberry by Kenjiro Okazaki Acrylic on canvas, 2000
Peter Zimmerman pours thick layers of coloured resin over large canvases.
Vanilla, Strawberry by Kenjiro Okazaki Acrylic on canvas, 2000
Vanilla, Strawberry by Kenjiro Okazaki
Acrylic on canvas, 2000
Katharina Grosse plays with enamel paint.
Katharina Grosse plays with enamel paint.
Tiang #2 by Handiwirman Saputra C-print and acrylic coating on metallic paper, 2012
Tiang #2 by Handiwirman Saputra
C-print and acrylic coating on metallic paper, 2012

But the artwork that made most people smile was not in the exhibition centre, it floated happily in Hong Kong bay: Florentijn Hofman’s Rubber Duck

HK Art Basel  Cristina Nualart HG 21

* Some factual notes:

Art Basel Hong Kong 2013 took place from 23 – 26 May at Hong Kong Convention and Exhibition Centre. 245 galleries from 35 countries were showcased, presenting more than 2000 artists from all over the world. Entrance fee was $25 per day.

And the second edition of Art Basel Hong Kong will be organized in 15 – 18 May 2014.

Cristina Nualart is a creative practitioner living in HCMC. She visits exhibitions and talks to artists and draws/paints/looks/thinks. The opinions she expresses come from her left brain, or her right brain, or her spilt guts, or the chip on her shoulder, or the heart on her sleeve.

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