American Avant Garde Films of the 1940s-50s: Maya Deren
Thu 17 Dec, 6.30 pm
Goethe
After Man with a Movie Camera (Soviet Union, 1929) and a series of Western European Avant Garde films of the 1920s and 30s (Marcel Duchamp, Man Ray, Hans Richter, Viking Eggeling, Fernand Ledger), DOCLAB is introducing Maya Deren (1917-1961), an important American avant-garde filmmaker and film theorist of the 1940s and 1950s.
Deren – also a choreographer, dancer, poet, writer and photographer – was a key figure in the creation of a New American Cinema, highlighting personal, experimental, underground film. Her first film Meshes of the Afternoon (1943) – among films to be screened – is considered to be one of the first important American experimental films. It provided a model for self-financed 16 mm production and distribution, as well as established an aesthetic model of what experimental cinema could do.
If you’re interested in getting news, announcements from DOCLAB for its activities, workshops, and schedule of film screenings… ect, please email us at [email protected] to subscribe to DOCLAB news.
Goethe-Institut Hanoi 56-58 Nguyễn Thái Học Ba Đình, Hà Nội Tel.: +84 4 7342251 Fax: +84 4 7342254 [email protected] website |